Reading/Viewing Materials

How drumheads are made

How drumsticks are made

The Doppelgänger Within: How Depression Hides in the Creative Process

Writing an Artist Manifesto

Norman Weinberg’s Percussion and Marimba History and Literature Online Courses

Female Musicians in the London Free Improv Scene

A Dozen New Releases from Women on the Jazz Scene

Eight Percussionists Dominating the New Music Scene Right Now

Objective Language in Applied Music Instruction

Interview with Alvin Lucier

How to Become the Best at What You Do in Sound, Music, Writing, or Anything Else

Wynton’s 12 Ways to Practice

Free Improvisation Jazz: The Ultimate Underground Music

Oral History of Female Drummers

All Woman Collectives (in music)

The Neuroscience of Deliberate Practice

Third Coast Percussion / Philip Glass Commission

Bliss Blog, by Andy Bliss

Hilary Hahn Commits to Practicing for 100 Days in a Row – with Unexpected Results

The Devaluation of Music

The Top Six Reasons You Actually Got Cut

All the Classroom’s a Stage

Willa Cather on Productivity vs. Creativity

How Many of Our Mistakes do Our Audience (and other musicians) Actually Hear?

Strategies for Better Time and Rhythm

Daphne Oram Pioneered Electronic Music 

My 11 year old son auditioned at Juilliard

Why Effective Practice is Just as Important as the Hours of Practice

Jason Haaheim, Principal Timpanist of MET Orchestra

Steven Schick: In Pursuit of an Externally Facing Artistic Practice