Tuning the marimba bars and resonators
The Doppelgänger Within: How Depression Hides in the Creative Process
Norman Weinberg’s Percussion and Marimba History and Literature Online Courses
Female Musicians in the London Free Improv Scene
A Dozen New Releases from Women on the Jazz Scene
Eight Percussionists Dominating the New Music Scene Right Now
Objective Language in Applied Music Instruction
How to Become the Best at What You Do in Sound, Music, Writing, or Anything Else
Free Improvisation Jazz: The Ultimate Underground Music
Oral History of Female Drummers
All Woman Collectives (in music)
The Neuroscience of Deliberate Practice
Third Coast Percussion / Philip Glass Commission
Hilary Hahn Commits to Practicing for 100 Days in a Row – with Unexpected Results
The Top Six Reasons You Actually Got Cut
Willa Cather on Productivity vs. Creativity
How Many of Our Mistakes do Our Audience (and other musicians) Actually Hear?
Strategies for Better Time and Rhythm
Daphne Oram Pioneered Electronic Music
My 11 year old son auditioned at Juilliard
Why Effective Practice is Just as Important as the Hours of Practice
Jason Haaheim, Principal Timpanist of MET Orchestra
Steven Schick: In Pursuit of an Externally Facing Artistic Practice